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Nad Wolinska’s artistic expression, while grounded in the technique of the old masters, reveals the psyche of the contemporary visionary creative-worker. It is classical and modern; synthetic and natural; human and spiritual. Her art resonates with the cutting-edge language of our age ... as it transcends but includes what has come before. It allows you to think and feel without making oppressively specific references, so that viewers are free to identify with the work. Nad’s work breaks down conventional structures while building up a non-denominational art, for it speaks to all of us. Her paintings cross over to connect worlds within worlds, revealing the invisible behind the visible; a unity is unveiled while respecting diversity. It is truly an art of the soul. Her masterpieces are to be enjoyed by all as a constant source of inspiration.
Born in France, Nad Wolinska is a complete artist and self-taught painter. She has expressed her talent in a variety of artistic forms: ballet, mime, theatrical productions, illustration, comic strips, set design and decoration, and commissioned photo-realistic painter. Her creative energy turned inward while traveling the world, developing her inner life through personal experimentation and revelation. The symbolisms and knowledge gathered formed a synthesis from which emerged an inner direction that informs the creation of her uniquely inspired technique. Her spiritual discoveries gave rise to her innate, true style. The artist’s work continues to evolve as she moves forward without regard for trends. “I sit in front of the unknown, willing to face Eternity, painting the unseen as a way of discovery.” Nad Wolinska’s work has been exhibited in London, Paris, Italy, Germany, India and New York in both solo and group shows, and is included in private collections around the world. She is proud to be featured in the upcoming book, ”Eyes of the Soul”, Exploring Inspiration in Art and Artists, by Professor Philip Rubinov Jacobson. |
Solo, Duo and Trio Exhibitions
Group exhibitions
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